It used to be that when people spoke of a gifted actor wasting his talents on soulless films, they would often be referring to Nicolas Cage.
However, as Cage now seems to be investing in more meaningful efforts – his 2021 role in “Pig” was critically lauded – the title of “talented actor in terrible films” may fall to Liam Neeson instead.
Before brickbats are thrown, let it be made clear Neeson is a talented actor – just watch his tearjerking performance in “Schindler’s List” for proof.
But let’s face it, the guy has been pigeonholed as a one-note action star ever since his iconic turn in the “Taken” series.
While it must be fun for an ageing actor to take up a role often handed to younger counterparts, it’s sad to see a performer capable of deeper and more interesting films being forced to play the stereotypical grizzled assassin or retired special ops soldier.
Neeson’s latest work, “Memory”, was released late last month with little fanfare. This time around, the 69-year-old plays… another grizzled assassin. Oh boy.
Alex Lewis has a particular set of skills that mostly involves sending people to early graves. But his days of living by the sword seem to be drawing to a close – he is starting to suffer from Alzheimer’s.
The poignant way this is revealed is actually quite well-executed: on one mission, he ends up misplacing his car keys and, in another scene, it turns out he scribbles basic information on his arm.
Before retiring, he takes up one final assignment with two victims to despatch. The first he does easily. When it comes to the second victim, however, Lewis shows he has some moral standards. He refuses to kill a child, and calls it a day.
Unfortunately, the girl had been raped by the son of a powerful millionaire played by Monica Bellucci who, determined to ensure her offspring remains protected, seeks Lewis’ head.
Meanwhile, Lewis begins targeting those related to the crime, leaving behind a trail of bodies.
And during all this, he is tailed by a dedicated FBI officer (Guy Pearce) who is seeking justice for the murdered child. Despite being on opposite sides of the law, both assassin and law enforcer end up being unwitting allies.
It’s a rather complicated but predictable story. Neeson, being a dramatic actor, shines during the quiet moments, few as they are, but otherwise is left to waste away in a film filled with clunky dialogue and too many cliches.
To its detriment, “Memory” chooses to focus on the action scenes. Despite being stylishly handled by director Martin Campbell (“Casino Royale”), they seem excessive, while the violent scenes are often fast but brutal.
All in all, while this is hardly Neeson’s worst work – that honour is bestowed upon “A Million Ways to Die in the West” – it’s certainly not worth watching unless you really love the man.
There is a certain irony that a film called “Memory” is actually one you will likely forget very quickly.
‘Memory’ is screening in cinemas nationwide.
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